Editors were poring over profit

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Adi Martis, Utrecht University (emeritus)
Since the launch of Coleccion Aruba, Adi Martis said he uses the website almost every day. The emeritus associate professor at Utrecht University in The Netherlands appreciates how easy it is to access a variety of materials in national archives and the national library collections. For example, by combining data from digitized historical maps and land ownership register books from the Aruban Land Registry, users can gain an insight into the history of land ownership on the island, he said.


In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, -and-loss statements. The electronics company whatsapp number database bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.

Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.